| Artist | Title |
|---|
| Jack Licitra | When A Light Goes Out | * |
| the Counterclockwise Ensemble | Family Song | * |
| Bebo Norman | Drifting | |
| John Gorka | Bright Side of Down | * |
| Ron Sexsmith | Thinly Veiled Disguise | |
| Gillian Welch | Orphan Girl | |
| Phil Minissale | Let Me Explain | |
| Jack Licitra | It's Saturday | * |
| Phil Roy w. Madeleine Peyroux | Exceptionally Ordinary | |
| Buddy & Julie Miller | Hush, Sorrow | |
| Aretha Franklin & Tony Bennett | How Do You Keep the Music Playing | |
| Brooks Williams | One Step | * |
| Creedence Clearwater Revival | Long As I Can See the Light | |
| the Real Group | It Don't Mean A Thing | |
| Bill Cosby | The Invention of Basketball | |
| Linda Thompson | Blue Bleezin' Blind Drunk | * |
| Carolina Chocolate Drops | Reynadine | |
| Bernice Johnson-Reagon | Hallelu | |
| Ink Spots | We Three | |
| Moody Blues | Eternity Road | |
| Renaissance | The Race | |
| Moya Brennan | Our World | |
| Pentatonix | Say Something | * |
| Odetta | Walkin' Down the Line | |
| Stevie Wonder | Nothing's Too Good For My Baby | |
| Take 6 | I L-O-V-E U | |
| Mind Open | track 3 | * |
| Chuck Mangione | Hill Where the Lord Hides | |
12:30-2:30 pm.
Note: the Linda Thompson and Choc Drops songs were full-on acappella solos, and Bernice Johnson's was more of a solo with slight vocal accompaniment than a vocal-band piece. A lot is said about acappella group singing, however for certain intense personal emotions, acappella solo stands out most. I hope bands look for at least one lead vocalist who can carry that kind of emotional freight as a soloist.
